BOOT & SADDLE

1131 S. Broad Street,
Philadelphia, PA 19147

Laura Stevenson

Laura Stevenson

Crying, Chris Farren

Thu, March 31, 2016

Doors: 7:30 pm / Show: 8:00 pm

The Boot & Saddle

Philadelphia, PA

$12.00 - $14.00

This event is 21 and over

Laura Stevenson
Laura Stevenson
Laura Stevenson is finally learning not to worry. After more than a year of national and worldwide touring following the release of her critically acclaimed album Wheel, both headlining, and alongside such varied acts as Against Me!, The Go-Go's, Kevin Devine, Tim Kasher of Cursive, and The Gaslight Anthem, the songwriter made the move from her between-tour home base of Brooklyn, to upstate New York's Hudson River Valley. There, she rented a nineteenth- century Victorian, a former brothel in a cement-mining town-turned hippie-enclave, and converted the attic into a makeshift studio. It was in this space that she and her band went to work arranging and demoing the eleven songs she had written that would make up Cocksure, Stevenson's fourth album. The record features musicians Mike Campbell, Alex Billig and Peter Naddeo, who in various incarnations have performed with her for over seven years, as well as newcomer Samantha Niss, a long-time Hudson Valley resident and the veritable go-to drummer of the region.

Where 2013's Wheel was full of lingering uncertainty, harkening to Stevenson's folk and country leanings, Cocksure is a straightforward, to the point, emboldened rock and roll album. Although some existential dread still peaks through the cracks, Stevenson treats themes as heavy-hearted as sudden and tragic death, self-imposed exile in small windowless rooms, and that back-of-your- mind anxiety that the road you're on may not be the right one, as their own signs of life; a life that is brightly colored by those realities.

With influences ranging from The Lemonheads, Liz Phair, and The Replacements, to early Weezer and the Smoking Popes, Cocksure maintains Stevenson's unique vulnerability, and steadfast devotion to a solid and honest melody. In the writing process, she challenged herself to be true to whatever was going to come out of her, with many of the tracks featuring melodies that were purely stream of consciousness. "I felt like over-working it would suck some of the spirit out of the songs… this record needed that spontaneity. Spending so much time editing and second guessing yourself takes all the life out of it."

This sense of spontaneity was maintained in the way Cocksure was recorded. In May of 2015, Stevenson and her band traveled city-bound to Room 17, a studio located in her old neighborhood of Bushwick, Brooklyn. "It's this very positive and amazing space, and Joe Rogers, the engineer, was so enthusiastic about what we were doing. Everyone was comfortable enough to just really play and not get caught up in anything else." All the main instrumentation on Cocksure was performed live, no clicks/no punches, under the watchful eyes of Rogers and producer Jeff Rosenstock, Stevenson's long-time friend and collaborator. "Jeff was the perfect person for the job. All of his Bomb The Music Industry! and solo recordings have this energy to them, they're like living things. I wanted to capture some of the magic he has." The album was later mixed and mastered by Jack Shirley (Joyce Manor, Deafheaven, Tony Molina) at Atomic Garden Studios in Palo Alto, CA.

Self-assurance is a new hat for Stevenson, and on Cocksure she confronts her usual tendencies toward self-deprecation head-on. "It's freeing to stop being so hard on yourself, and to quiet down all of the outside noise," she says. "Once you're able to do that, you can actually write what you should be writing."

Laura Stevenson will release Cocksure on October 30, 2015, via Don Giovanni Records.
Crying
The Crying formula is simple: drench an entry-level Motown song in creamy distortion, completely flip the vocal dynamics without losing any of the juicy flavor, and squirt in a few too many twisted melodies played out of a programmed Game Boy. Mixing regal riffs and tasty beats with soft vocals, intimate lyrics (oftentimes crushingly so), and harsh but sparkling synth lines, the New York power trio strikes a stylistic balance between decades and genres, each song bearing the gifts of timelessness and formal disrespect. "Get Olde Second Wind," Crying's first Run For Cover release, works as both an anthology and a cohesive work, compiling the critically acclaimed self-released EP, "Get Olde," and its brand new, darker and danker sequel, "Second Wind."
Chris Farren
Chris Farren
Chris Farren will be the first to tell you he’s a “musician’s musician” although he’s not really sure what that means. Maybe it means that the Florida-based musician has been grinding it out for over a decade, making endless friends along the way. The charismatic frontman of the Naples band Fake Problems has toured with everyone from Against Me! to The Gaslight Anthem to Say Anything.

But as Fake Problems has been eerily quiet since the release of their full-length, 2010’s Real Ghosts Caught on Tape, Farren has been branching out and dipping his toes into other waters. He recently unveiled his two-man project with Bomb the Music Industry!’s Jeff Rosenstock called Antarctigo Vespucci, a refreshingly unpretentious pop machine. He’s also been stripping things down and experimenting with solo material. Farren recently released a split EP with Grey Gordon, Ducks Fly Together. Without the comfort of a backing band, the self-made Verified Twitter user is seeing how far he can get on his own, with nothing but a ton of inspiration and a good reputation. After all, Chris Farren is a musician’s musician. Ask anyone, just not him.
Venue Information:
The Boot & Saddle
1131 S. Broad Street
Philadelphia, PA, 19147
http://www.bootandsaddlephilly.com