BOOT & SADDLE

1131 S. Broad Street,
Philadelphia, PA 19147

Young Widows

Fuzzrocious Pedals Presents...

Young Widows

Kiska, Coronal Mass Ejection

Sun, November 20, 2016

Doors: 6:30 pm / Show: 7:30 pm

The Boot & Saddle

Philadelphia, PA

$12.00 - $14.00

This event is 21 and over

Young Widows
Young Widows
Young Widows' bruising 2006 debut, Settle Down City, introduced the Louisville, KY trio as an ugly force to be reckoned with. Two years later they dropped Old Wounds, their sophomore stomp that inspired at least a dozen imitators of varying degrees of success. From there the band traded some of their trademark fury for the bleak, widescreen atmospheres of In and Out of Youth and Lightness. Now, three years later, Young Widows meld the strengths of their past and their tenacity for the future to forge Easy Pain, an album perfectly befitting their merciless moniker.
Kiska
Kiska
Off the coast of Alaska lies the Aleutian Wilderness, a chain of sixty four volcanic islands which form the northern cap of the Pacific Ring of Fire. Toward the western end of the chain, you will find Kiska — a small, isolated, and unpopulated land mass, noted mostly for its shipwrecks, bomb craters, and active stratovolcano. Despite its rugged history, a ceaseless pounding from both man and nature, the island itself remains unfathomably beautiful.

When it came time to name their band, Philadelphia-natives Owen and Adam Staszewski (vocals / guitar, respectively), Ean Kyler (bass), and Adam Francois (drums), felt a strong connection with the existence of this island.

"It evoked an image in our heads of an isolated place separated by water from an already cold and isolated place [Alaska],” says Adam Staszewski. “The mood and sound of the album is also a reflection of the name [Kiska] — heavy, majestic, desolate, and ominous,” adds his brother Owen.

Heavy, majestic, desolate, ominous. There are no better words to describe Kiska’s self-titled, debut release. Leaving behind the more radio-friendly leanings of the quartet’s former band, Desoto Jones, the musicians reinvented themselves with Kiska, pursuing a heavier, more dynamic, and frenetic direction.

“Everything we’ve done in the past has shaped us,” says Staszewski. “Our past successes, mistakes, and missteps have all contributed to what we really wanted to be doing musically. We wanted to write an album that would speak for our new identity as Kiska and be a cohesive set of songs. It is really exciting to be a new band without dragging ten years of history behind us.”

In comparative terms, sonically the record falls in the general vicinity of bands like Jawbox, Failure, Rival Schools, and Hum — driving, dynamic, and aggressive, but with clean and resounding choruses. A delicate balance of space, power, grit, and color.

“We did our best to consider the role of all the instruments within each song,” says Staszewski, “as a four piece, we felt that each part was completely integral to the aesthetics of the song as a whole.” This palpable sense of simplicity gives Kiska the necessary breathing room to explore a full range of dynamics — both musically and lyrically. While listening to the record, many curious lines (ex: “the earth is no place to be,” “am I dead or sleeping,” “your soul is too cheap to sell”) are presented as glimpses into an existence beyond our own.

“I’ve always had an interest in unexplained phenomena,” explains vocalist Owen Staszewski, “even as a child, but it wasn’t until I got older that I realized there is something really big at play. These ideas of being unwilling pawns in an interstellar drama are woven thematically into the record — that combined with a sense of social unravelling, spiritual self-questioning, and the endless endeavor of liberating oneself of the ever destructive human ego.”

Heavy ideas tackled on a heavy record — a formula reminiscent of a legacy of noisemakers from all eras.

Spartan Records is proud to partner with Kiska on their debut release and cannot wait for fans, both loyal and new, to embark on this one-of-a-kind sonic journey. Please stayed tuned to www.spartanrecords.com for updates, song premiers, and release news. Thank you for listening.
Coronal Mass Ejection
"Coronal Mass Ejection‘s music consists of cerebral material put forward in a way that is both accessible and an absolute audible pleasure. Listen to it closely and be hypnotized by the layered complexity or just sit back and let it take you away mindlessly. It is that good!" Odyssey @ Metal Nexus
metalnexus.net/coronal-mass-ejection-a-journey-into-the-haze/#more-5474

"[A] trio from Philadelphia, have made quite a splash among instrumental music fans of all sorts since the release of their EP...masterful blend of Post-Rock, Doom, Mathrock, and spacey psychedelic music...If Post-Math-Sludge didn’t exist before Coronal Mass Ejection, well, it fucking exists now." Aaron Edwards @ Echoes and Dust
echoesanddust.com/2016/03/coronal-mass-ejection-ep/

"There’s some seriously mind-blowing shit happening on the five-songs from this three-piece out of Philly, PA…like…monstrously-massive music that hits hard in every direction with passionate instrumentation..." Jer@SBS
sleepingbagstudios.ca/coronal-mass-ejection/

"This EP is outstanding. Recommended for fans of Pauwels, Maserati, Tidings, space/psych/rock. Spread the word!"Mike @ 6fortyproject, 6fortyradio, Philadelphia Post-Rock
www.6fortyradio.com
Venue Information:
The Boot & Saddle
1131 S. Broad Street
Philadelphia, PA, 19147
http://www.bootandsaddlephilly.com