BOOT & SADDLE

1131 S. Broad Street,
Philadelphia, PA 19147

Beach Fossils

Beach Fossils

Heavenly Beat, Axxa/Abraxas

Sun, September 28, 2014

Doors: 8:00 pm / Show: 8:30 pm

The Boot & Saddle

Philadelphia, PA

$14.00

Tickets at the Door

This event is 21 and over

Beach Fossils
Beach Fossils
Beach Fossils began in 2009 as the solo project of Dustin Payseur. Before and after the 2010 release of the S/T debut LP and 2011’s What A Pleasure EP, they performed around the world with a lineup that once featured Cole Smith (DIIV) and John Peña (Heavenly Beat). They quickly became known for their highly energetic stage show, bringing the recorded work to a volume and tempo that would make even the indie-est of crowds wind up in a frenzy. With the exception of drummer Tommy Gardner, that lineup dissolved to pursue their ambitions with the aforementioned projects. Wanting to bridge the gap between the live and recorded aspects of the band, Dustin began writing Clash the Truth determined to capture the urgency, human flow and spontaneity of the live performance.

Now with a full time drummer (and co-writer of two tracks on the LP) Beach Fossils entered the studio in the fall of 2012 with producer Ben Greenberg of The Men. Instead of merely going from a “bedroom DiY” project to a “better fidelity studio project” the deliberate decision to work with Ben was determined to capture, if not in style, the spirit and enthusiasm of punk and aggressive music in general. To ensure that dynamic, the drums were recorded live in a room with Dustin on bass to give the album a driving and energetic force. Consider the titles “Generational Synthetic,” “Caustic Cross” and “Burn You Down,” it’s easy to see how the record, while not a punk or post-punk record by strict definition, certainly nods to the first major influence of Dustin’s creative spark. The first two notes of the title track that kick the LP off are a clear indicator of where his head was at.

The LP also sees Dustin stretching his songwriting muscles, with the acoustic Lennon-esque “Sleep Apnea” and the dreamy “In Vertigo”, which features the vocals of Kazu Makino (Blonde Redhead). During the recording period, the studio was flooded and destroyed by hurricane Sandy and the band had to relocate to another studio to finish the LP in earnest. It all came together when the work of legendary video artist Peter Campus was finalized to be featured throughout the release and on the striking cover. Clash the Truth marks a clear progression in the ongoing story of Beach Fossils. Drawing from the previous works’ melodic strengths and uncanny guitar textures emboldened by a sound closer to their energetic and cathartic live set, it’s the clear next step in the trajectory of the band and the dis-association from the home-recording boom from which it originated.
Heavenly Beat
Heavenly Beat
"PROMINENCE" is the 2nd full length in as many years from Texas transplant John Pena aka Heavenly Beat. It was recorded/mixed in the same apartment (after a failed attempt to mix in a "real" studio) as last years TALENT over the first few months of 2013 after shelving a full length's worth of songs for not being sonically or emotionally interesting enough. Using Primitive Radio God's "Standing Outside A Broken Telephone Booth With Money In My Hand" as a sonic touch point John built a new album from the ground up utilizing chopped/sampled drum breaks and, for the first time, some non laptop based keyed instruments(piano, mellotron) along with H.B. main stays classical guitar and steel drums. Live member Christian Barsi and Daniel Schlett of Strange Weather Studio both contributed keys to a few songs but the outcome is still a very solo sounding project. Arrangements is where PROMINENCE shines. Managing to sound inventive and not quite like anything else with such a limited palette is a rare and commendable feat. From the slide guitar and pulsing nylon string samples of "Honest" to the flamingo call and deep kick combo of the 2nd half of "Complete" Heavenly Beat keeps the whole affair sounding fresh, interesting and natural. Lyrically, PROMINENCE is not an escapist affair. It's a very direct look into someone dealing with poor body image(Thin), infidelity(Honest) and emotional/physical/sexual recklessness(Prominence). It's not asking or answering any questions. Just existing within itself, fully a where of it's shortcomings. - See more at: http://capturedtracks.com/artists/hbeat/#sthash.X8sVHSBD.dpuf
Axxa/Abraxas
Axxa/Abraxas
Axxa/Abraxas is the music and art project of Ben Asbury, a 23-year-old from outside Atlanta, GA. His experiences as a record collector and music obsessive from a very young age ("I got into punk in the third grade") are easily evident in his debut release. Going full circle from being introduced to 60′s pop as a kid, through his foray into punk rock at an early age, into post-rock and Elephant Six indie, right back into 60′s Psychedelia, Ben has honed his influences (Neil Young, Television Personalities, 'Elevators, The 'Dead, Olivia Tremor Control) into a cohesive blend to adapt his own take on psych-influenced art-pop.
Venue Information:
The Boot & Saddle
1131 S. Broad Street
Philadelphia, PA, 19147
http://www.bootandsaddlephilly.com