BOOT & SADDLE

1131 S. Broad Street,
Philadelphia, PA 19147

Oberhofer

Oberhofer

Honduras

Sat, October 3, 2015

Doors: 8:00 pm / Show: 8:30 pm

The Boot & Saddle

Philadelphia, PA

$10.00 - $12.00

This event is 21 and over

Oberhofer
Oberhofer
Memories can be inspiring or stifling, alluring or ugly, wistful, joyous or flat. But what if they all come rushing back in a moment of quiet? You're in headphones, zoned out, and your entire life flashes before your eyes, floods your ears, sounds like a screaming orchestra, feels like a bounding sack of lead, and looks like an unholy filmic mashup of David Cronenberg and Ken Burns. This is "chronovision," a high-concentration dose of pure memory. And on the album of the same newly minted name, Brad Oberfhofer distills his own total recall into beautiful, bittersweet song.

When it came time to make his second proper album under the Oberhofer name, the Tacoma-raised, New York-based artist had a great deal to draw from. His almost idyllic youth — mom sang opera; dad sailed boats; family lived on a gulch; deer and fox munched blueberries outside — had recently smashed up against harsh reality. One day while home for a brief respite from touring his 2012 debut Time Capsules II, Oberhofer woke to find his roommate dead, in the bathroom, of a heroin overdose. He had to call his friend's boyfriend and break the news. Then, a mere three days later, he had to clear out all of his belongings and drive his band to Lollapalooza.

Such events seem to cast all else in a severe light, so while you'll hear Oberhofer's familiar sound — amped psych-pop with orchestral flourish, New Wave flare, and grungy fuzz — the intensity has been ratcheted up. The brighter moments are more brilliant, almost manically so, and the darker hues have deepened in kind. Certain samples, keyboard runs, and piano figures evoke calliope — circus music, conjuring innocence and madness in turn. And our host is as apt to channel the bliss of Brian Wilson's SMiLE ("Sun Halo") as he is the blooming melancholia of early Grandaddy ("What You Know"). The ghosts of Lou Reed and Del Shannon lurk these halls, too.

Much of this is also to do with Oberhofer's resolve to produce the LP himself. The road to Chronovision was winding. He first rented a spot in the Catskills, set up all of his instruments (piano, keyboards, guitars, drums, clarinet, violin, Theramin), and made a song a day for two weeks. But that version of the record would be scrapped, as would the next, recorded in Seattle with Phil Ek (the Shins, Modest Mouse) on the boards. Two more album's worth of songs were recorded in a pair of overnight solo jags, but those only exist today in the annals of SoundCloud. A final spurt took him to a Tacoma studio, two NYC facilities (Strange Weather, Electric Lady), and the former Sound City in Los Angeles. Lastly: Atlanta to mix with Ben Allen (Animal Collective, Washed Out). Exactly 106 demos later, Oberhofer emerged with these 12 songs.

That process isn't altogether surprising. When he's not playing or recording with Oberhofer the band — Oberhofer the man is constantly creating. His Instagram feed is full of bite-sized video loops. His Bandcamp offers a free collection of "daily meditations." Via a second SoundCloud account, he's recording 1,000-plus custom piano pieces for fans and friends (each composition bearing the person's name). It's possible he developed the practice while studying music at NYU (before he dropped out), after touring with the likes of Sleigh Bells, Neon Indian, or Matt & Kim, or in recording his last album with Grammy-stacking producer Steve Lillywhite. But one gets the feeling Oberhofer's been this way. Hell, he started rapping at the age of 10.

Chronovision bears the mark of that dedication, even if the perspective is often far more cloistered. "I spent my life inside a hole/I don't have any place to go," he coos through a forced grin on "Nevena," while on "Someone Take Me Home," he imagines a future in which his muse has left him for dead — set to cheery fuzz-pop, naturally. And sweet though they may be, "Sea of Dreams" and "White Horse, Black River" are respective dedications to Oberhofer's two grandmothers, who passed recently. Still, the LP's coda finds him looking outward, with optimism: "Listen to everyone/They too have songs in their eyes." The line implies that "chronovision" — the heady sum of one's memory — can be shared, and why not? That's what Oberhofer's just done.
Honduras
Honduras
Friends since childhood, Patrick Phillips (vocals/guitar) and Tyson Moore (lead guitar) found each other again in a Bushwick basement where they began writing much of what would become Honduras' early material. Inspired by late 70's punk, but mixing in aspects of garage and indie that followed, Honduras played Brooklyn's DIY venue scene tirelessly and garnered a reputation for amazing live performances, with comparisons to bands like Sex Pistols and Buzzcocks. After bringing in Josh Wehle to play drums they added a new bass player in Paul Lizarraga (the Denzels) to round out the band's signature polished edge. Their more recent writing has included elements of krautrock and psych to their already energetic tracks for an intellectually developed and interesting sound. While picking up additional attention from serious tastemakers like Rolling Stone, NME, Noisey, Impose, and Nylon along the way, the group has shared stages like Bowery Ballroom and Music Hall of Williamsburg with notable acts like Blur, Metz, Fidlar, Twin Peaks, Drowners and the Kaiser Chiefs. The first single from their upcoming debut LP, Paralyzed, is currently in regular rotation on Sirius Radio XMU and the band was just featured in NME's On The Radar section. On stage the formula continues, where four good friends exhibit a savvy devil-may-care tightness. Their engaging stage presence is both apropos to their influences and forever exciting to witness in a young and surging project. Their upcoming debut LP is called Rituals, and will be released in Early 2016.
Venue Information:
The Boot & Saddle
1131 S. Broad Street
Philadelphia, PA, 19147
http://www.bootandsaddlephilly.com